Показват се публикациите с етикет pictures. Показване на всички публикации
Показват се публикациите с етикет pictures. Показване на всички публикации

четвъртък, 5 декември 2019 г.

Djavola varos


Silent witnesses
The Devil's city (Djavola varos), Serbia

The story behind the shot:
The Devil's city is one of the popular places for a trip in the country of our western neighbors. The place is about 300 kilometers from Sofia and looks quite like Melnik or the Stob pyramids phenomenons.

The Serbians have taken care of the visitors and you can find almost anything in place - from a toilet (don't laugh, this is something you cannot find at each and every rock formation you visit) to cafes and small chapel. The walk to the place is also quite pleasant. The rock phenomenon itself is not particularly big, but it is worth it. The catch? That it's not quite easy to shoot. For the sole reason that there are not many opportunities to shoot the place from more than one angle. If you don't want to break your neck, that is. Otherwise, people made trails and places to relax, made the place safe for even very young children, basically did their best.

The place itself is known for its poisonous water. I'm not kidding, the concentration of heavy metals in it is so big, that it is not potable, nor fit for washing and kills everything in its path. Even the trees around her are very strange, like enchanted monsters. The place looks like an haunted forest, indeed. 

The Legend of the place invented by the locals is also not to be missed. Followers from Bulgaria can see it in the video (I decided to play the tour guide, so it's better to hear it from me). English-speaking fans can read it on the Culture Crossroads project page. 

Photoadvice:
Wear sturdy shoes (I almost always say it, but there is no way to avoid this now). As for lenses - I always say it again, but the wider, the better. Otherwise, this place can be shot with almost anything. This is one of the few shots from the place that is interesting to me. The other will go at some other time.

More about the place itself, the rock phenomenon and few links and tourist information, on the page of the Culture Crossroads project.

сряда, 2 януари 2019 г.

Week 1 topics

Hello everyone!

Here is the first set of topics for week 1. Are you excited? I am. 

So, here they are: 

a) Who are you? Self-portrait. 

b) Resolution 

c) New beginning

Choose any of the topics and share the pictures with me. I'll be glad to have a chat with you and will share my own results in subsequent posts :) 

Wishing you a wonderful week :) 

2019 plans

Hello, hello everyone!
I promised an explanation post and here it is:

The beginning of the new year is a perfect moment to share my plans for the next 12 months to come.

2019 seems to be full of emotions and new projects that I will share with you when the time comes. Naturally Culture Crossroads continues to gain momentum and through the new 2019 there will be many new images and more videos. About that, a little later.

The first and biggest of the new projects I am undertaking is my own modification of the 365-Day Photography Challenge. Since I doubt I can take pictures absolutely every single day of the new year, I did something different.

There is another option of the photo challenge where you should take one pic per week, a total of 52. However, this has seen too little, so I created 52-week triple challenge.

The idea is that every week there will be three alternative topics and depending on my shedule there will be between one and three photos per week (concerning that challenge, I mean).

The list of topics can be downloaded from my website, in case anyone wants to join :) (will let you know when the content is live on my site and blog) and at the beginning of every week I will announce the topics here so whoever wishes to can share their images in a comment under the post. Photos will also be published on my blog and Instagram.

Another change is that on the Culture Crossroads project page there will be more photos and videos - both videos from places I visited and behind-the-scenes footage. To keep track of that, however, you will have to follow the project page and my YouTube channel.

This page there will also be loaded with a new series of videos, this time for the fieldwork in travel photography, as this genre takes a huge part of my time hence I claim to have some expertise there. As usual, there videos in both Bulgarian and English :) I hope you'll like it :)

The second project is linked to the subway series of Dmitry Glukhovsky (Metro 2033, Metro 2034 and Metro 2035, in case anyone is interested). But for when it starts. There will be a lot of pictures again and a lot of fieldwork.

Finally, I am currently developing a mini photo project that is directly linked to shooting places from old photos. The Target? Old Sofia. Expect video presentation of the project as soon as possible!

I wish all of you a 2019 filled with much success health and smiles!

52-week triple challenge

Hello, hello everyone!
The new year is already here and for starters I would like to thank everyone for continuing to follow me on my journey in the world of photography!
Don't worry, this blog is far from dead! I will revive it within the upcoming weeks, I promise :)
I have some exciting new plans for 2019 (that will be in a follow-up post, though). This one is for another purpose. 

Welcome to my own modification of the 365-Day Photography Challenge! 

The idea is that every week there will be three alternative topics and depending on my schedule there will be between one and three photos per week. Created this since I thought that the 365-day photo challenge will be too tough whereas the simple 52-week challenge will be too easy. Hence

The list of topics can be downloaded as a PDF file, in case anyone wants to join :) (will let you know when the content is live on my site and blog) and at the beginning of every week I will announce the topics here so whoever wishes to can share their images in a comment under the post. Photos will also be published on my blog and Instagram.

Interested and want to give it a try?

Then go to the dedicated page (link for convenience) to download the list :) 

Will keep you updated about the progress both here and on my social media accounts :) so stay tuned :) 

Wishing you a wonderful New 2019! 

събота, 12 март 2016 г.

The photographic license - how the camera changes the behavior

I don't know if you have ever been in such a situation but it happens to me quite often when I get the 'big' 'professional' camera with me and head out shooting. Somehow when people notice you with that equipment, they seem to be more tolerant to what you do and even try to help. I called this 'the photographic license'

Image taken from http://www.picturecorrect.com/tips/what-are-stops-in-digital-camera-settings/ 


If you have studied literature, you probably know that there is such thing called 'the poetic license' that enables the poet to do whatever atrocities they like to the language - use nonce-words, revert word order etc. I discovered that the same (or almost the same) goes for photography.
As if there is something magical in the equipment and for some reason it makes people take you seriously.

I had this case when I wanted to go shooting at the German Weihnachtsmarkt at the center of town. So far so good, but at the moment I had only my old and favourite compact red Canon PowerShot with me. I went no matter what because I felt that I have to - it is a gut feeling. Guess what - I was snapping away but people did everything to make my life hard - got in my way, bumped into me, intruded in the shots or - didn't notice that I exist.

I managed to get some amazing shots that evening - no matter what. The picture below is one of my favourite Christmas pictures ever and maybe one of the best Christmas moments I have ever captured. Unfortunately I never got to know the woman or the child - they went away without even noticing me.
  
The next evening I came back with the 'real' gear - black 'professional' camera and all. Guess what happened? Everyone stepped out of my way, practically no one bumped into me and when people saw me - they backed out of the way and even tried to help me arrange the thing I wanted captured.




I've seen that at travel locations as well - people tend to pay more attention to you when you carry a big, Terminator-like black 'professional' camera than if you carry a compact one - even though you are one and the same person anyway. I will keep writing professional in inverted commas because I think that the professional is the person behind the camera and the equipment alone cannot make you  a pro. That is a topic of another post, however. 

That had me thinking - why does it happen? Why people behave that way? Is it me or is it the gear? 
That led to another question- does my behavior differ when I get the big camera on? 

The answer came one evening on location (Sighisoara, Romania, by the way  - promise to tell it all in a travelogue) and was confirmed when I had to shoot at one or two events. I am generally not a shy person (well, not an introvert, at least) so that came as a shock to me at first. I noticed that the moment I hide behind the lens I become bolder and am willing to do things I would probably never do without the camera in front of me - like asking a complete stranger at a fair to pose for the camera and if you can photography their goods, to walk around a town in the late afternoon when there is no one around and it actually gets scary because the area is so remote and you are a foreign girl 165 centimeters tall. That camera makes me go and hang over a 80-meter bridge or climbing a rickety coast guard viewpoint or go into the bushes and the sand (despite the chance of finding a snake or a scorpion) for the one and only purpose of getting the right shot. 


The viewpoint I was talking about. From that angle you can see that it is not exactly vertical...



An accidental shot I took while almost falling off the viewpoint. Turned out that it is not used for a reason. Saw that picture wile flipping through the photos at home.
But there came another question - I did the same when I had a smaller camera. Why didn't people take me seriously then? The answer, I guess, lies in the gear. The bigger and scary/professional -looking it is, the more people start thinking 'Hey, look at her - she MUST be a pro, let's get out of the way!' or if they don't like getting photographed 'Oh, is that a photographer over there? She must be - look at her camera and stuff... I must get out of here before she takes a picture of me!'

So, in a way, people do license you with their behavior and you are free to act as you like. I normally use the moment to get better access to the location - if that is possible - or to get a photo of someone or something I like. When I have a camera in hand I am prepared to do almost any kind of idiocy to get the right shot. (and believe me - I have a few idiotic stories to tell come to think of it). With a camera in hand, there are no language barriers.  

So, what do you think?
Is there a photographic license and does holding a camera change you or the people around you?



неделя, 21 февруари 2016 г.

Corinth Canal - part 2 - or why getting lost helps?

I've always wanted to take a picture of Corinth Canal with a boat inside it - you know, like the iconic picture below. 

Image taken from http://traveltamed.com/places-to-visit-in-greece/
If you have read the previous post, you already know what happened on day 1 and you probably know that I was dead-set on getting things right today. This part of the story starts in the morning at the hotel reception. 

Totally into the idea of getting a shot like the one above, I went to ask about ships. After all, they should know, right? The guy at the reception was very helpful but I doubt he understood much of what I had in mind told me that tourist boats go inside the canal but big ships are few and far between. Still, I was determined to go there and take my iconic shots. 

In the morning we went to Mycenae (which is the topic of another post) and at 11 am we drove back to Corinth - the distance is roughly 60 km. 

Where IS the canal???

There was a road sign on the highway but from Peloponnese there was none. So we got a panoramic view of Corinth and its streets. And the oil refinery. If you book a hotel - check where it is on the map because there is a very high chance of being close to the refinery. And that is HUGE! If the hotel is close - you will enjoy the smell of petrol derivatives 24/7. Corinth is a really nice town with plenty of things to see for it's size and no doubt - amazing accommodation and taverns - but the smell of petrol is not one of my favourites. Luckily we checked that BEFORE we went there. 
One of the beaches of Corinth that I managed to shoot along the way.
We went in and out of Corinth several times during some of which we came close to the channel. Twice we went over a submersible bridge at one end of the canal and we kept driving along one of its sides. 
The bridge I was talking about
The lagoon - the black and yellow thing on the left is the bridge
You can see it's there but you cannot reach it. You see where it is but you don't see where to turn for the viewpoint. 
The end of the canal as seen from the submersible bridge. The image is taken from a car in motion - you cannot stop there
Time went on and the sun went down - and I got nervous. Meanwhile we kept circling the streets of Corinth. 
One of the views of Corinth I managed to capture
 After all, we had only two days in that part of Peloponnese and it was already day 2! Bearing in mind that the pictures from yesterday I can happily delete at any instant because they show nothing of the canal that I wanted to capture.  (you can see the previous post to get the impression of how bad things were). 
The view from the submersible bridge - again!
After a few zig-zags in and out of Corinth - AGAIN! - we got to the viewpoint. Time: 12.30. Not too late, I hoped. I got out of the car and started running - at 30 degrees plus Celsius - and started frantically taking pictures of practically everything I got my lens on. Thank God I got the wide angle lens!!!
The canal from the other side of the bridge
Time went on and I got to the other side of the bridge (remember what I told you about the viewing platform being nonfunctional). 
This is the iconic view of the canal. Shot from the pavement of the car - bridge. Basically hanging on the safety fence for the shots of that side of the canal because the viewing platform was closed. 
By the time I was done with preliminary shots, it was around 1 pm.
Guess what??? At the far end of the canal I saw a boat approaching! A BOAT! No matter the time, I was totally into waiting for the boat to come to me - and even to get out of the canal.
One of my favourite shots from the day and roughly what I came to Corinth for :) 
 It was the picture-postcard thing I wanted to do!!! So I waited - it turned out that I didn't have to wait for a long time - some 15 minutes.

It was a miracle! My dream came true (well - sort of - it was a big ship but this little boat was ideal to show ho big th channel is). 
Another of my favourite shots
So I started snapping as if I had a machine gun - click, click, click, chat, chat, chat, chat! I LOVED IT!!! I was glad we got lost, after all - because otherwise we would have gotten to the canal earlier and we wouldn't have seen the boat. 
Sometimes getting lost helps.
Now, the technical information: how to get a picture like that?


The boats

There are several tourist boats that get inside the canal - either to show it to the tourists or just for the fun of being photographed from above (the people in the boat were having a great time while I was taking those shots). The boats have different schedule - so make sure you check it out first before you get on location. I think that there is at least one of them that gets inside the channel at midday - which means - somewhere between 12.00 and 13.00 pm and I think that there is another one later on during the day. 


The light
Make sure to be on location at midday - when the sun falls directly from above and the water inside the channel looks azure. Trust me, you won't regret it. 
If it is cloudy - any time would be suitable. But the water is less likely to be azure. 

Clothing

It is generally HOT in Peloponnese 7 months out of 12 and temperatures rise up to 30 degrees Celsius (and often higher - when we were there temperatures ranged from 30 to 38 in different parts of Peloponnese) so make sure you have sunscreen, a hat (it's windy at the bridge so make sure you keep it ON your head in some way) shorts and a T-shirt. Sneakers are a must - you'll need all the stability you can get while on the bridge. 
The bridge - again, in case you didn't pay attention last time
Gear

Any camera would do but let's try to get the DSLR settings:

  • manual mode - f/8 - f/18 (depends on your ideas and the amount of light) - you need a BIG f/ number to get the bottom of the channel sharp; shutter speed - 1/320 sec + (in case there is a boat around - they move quite fast)
  • images shot in RAW (or the highest quality JPEG) - so you can use your files later on.
  • lens - wide angle is a must - you don't have much space to move around either way. 10-18 mm is a good choice but if you don't have one - use the widest setting of your lens (normally that is 18 mm). Forget about telephoto lenses unless you want to get a portrait of someone in the boat below.  
Safety precautions
Corinth canal is one of the two entry points from mainland Greece to Peloponnese (I keep repeating that, I know, but I hope that it gets stuck in your head) - the road that hosts the railing is VERY VERY BUSY!!! You can see trucks, buses (tourist and municipal) and cars of all brands and sizes driving over it at any minute. So:

  • Do NOT go in the middle of the road for no reason (it is narrow enough)
The railing of the bridge in detail. 
  • Do NOT hang over the railings!!! You don't want to risk a 70-meter fall down to the 8-meter deep water. (I am myself afraid of heights and that one took my breath away but still...) If the other viewing platform is still closed (as it was when I was there) DO NOT TRY TO GET ON IT!!! If they closed it - they probably did it for a reason - probably it is not stable enough to host ANYONE. DO NOT play the hero!
A side shot of the canal to show you ho deep it is.
Last note - Corinth Canal is one of the most spectacular places I have been to. If you are in the area - do go there. It's worth it!
Corinth has other places to see as well - Ancient Corinth is a must - see and has a great view and they have to have a museum or two. 

For those in love - bring a padlock and lock it on the bridge - many couples do that like they do it in France. As you can see from the picture above - they are quite a few. 

вторник, 12 януари 2016 г.

Now you can find my portfolio on www.coroflot.com


Don't worry, it would get bigger! 
Now there is a whole new user-friendly place to see some of my best work! Hope you like it!
Write to me if you like it, write to me if you have ideas to shareq write to me if you dislike something...

понеделник, 7 декември 2015 г.

Happy Saint Nicolas day! The food. Part 2

Hello, everybody! 

In the previous post I talked about the tradition behind the celebrations on 6th of December. In this post, which is going to be way shorter, I'll show you the recipe for this year. As you remember the fish is always a carp so only the other ingredients vary. In case you don't remember or you haven't read the previous post - here is some info:

So, the fish should be a whole one - not cut in pieces and when you buy it it should be with it's scales and all the organs inside it. The idea is that the scales bring in money and the whole fish symbolizes prosperity. Then, when you clean the scales, you bury them together with all the bones of the fish somewhere in the garden. Tradition says that you should fill the fish with rice - again the money connotation - and walnuts. Since you are supposed to be fasting before Christmas, St. Nicolas' day is one of the few occasions when you can eat fish - i.e. meat. Nowadays it is a wonderful time to get together with the family. 


Ok, you saw the idea from the previous year - radioactive St. Nicolas' day carp with rice and turmeric sauce - that recipe I'll give you another time. 
The recipe this year is a bit different - we again have rice and walnuts and a carp but it looks different:

It is a common carp stuffed with rice, walnuts, raisins and leek and puree of creme cheese, spinach and leek.




Here it is the recipe!

You'll need:

1 carp - around 2 kg.
3 pieces of leek
250 g. rice - white normal rice
100 g. raisins
100 g. walnuts
1 jar/packet/ whatever they sell them in your country/ of creme cheese or cheese and a lot of butter - around 250 g.
coriander - fresh - put as much as you like
black pepper
cinnamon
salt
water
cherry tomatoes - if you want to copy the flowers from the picture

How to do it?

1. OK, you'll need to cut the leek into rings and then fry it in some oil (choose the type - olive oil will be perfect but all other types will do). Then you add the raisins and the walnuts to the leek.


Somewhere around that point you add a bit of water.
You add the coriander and let the whole thing stew for a little - you'll need a deep pan or a casserole to get all ingredients in. 



2.Then you add the rice and the spices - the black pepper and the cinnamon - again - put as much as you like in there. 



By the time you've added all things to the mixture it should look like this:





3. So, now you have to leave it to get the rice boiled a little - not over boil it because when you stuff the carp with it and bake it it will look like a very unpleasant lump with no particular ingredients. So you boil it for, say, half an hour and you proceed to the stuffing procedure.

Stuffing of the carp

Here you'll probably need an assistant - to hold the fish steady while you stuff it with the mixture created during the previous steps. Let's however, go over some things you do BEFORE that:

1. Clean the carp - that means all scales and intestines (to do that cut the carp open and cut out the intestines you find in its belly). DO NOT throw away the scales - they have to be buried in the yard with the bones to bring good luck :)
2. Rinse the carp with cold water to get rid of the blood and clean the belly.  
3. Stuff the carp - have someone hold it open for you and you put the stuffing in. Don't worry if the stuffing is much more than the carp's belly can hold - you just put it around it in the pan/pot you'll be using to bake it in. So, after you stuff it you have to sew up the opening so that the stuffing doesn't get out during the baking process. You'll need a big needle and a strong thread to do that. 

I don't have pictures of that because I was the assistant - you see, you can't hold a camera if both your hands are around the belly of a fish.

Baking

1. After you stuff and sew up the carp you place it in whatever you'll use to bake it it - it should be big enough for the carp to lie on one side. 
2. You put all the remaining stuffing around the carp and add a bit of water - 1/2 liter or more - depends on how much stuffing you have left.
3. Put it in the oven for around 40 minutes - when it's ready it should look like this:

The spinach/leek/cheese puree

This one is the tricky part. 
So for that you'll need

1 piece of leek
500 g. of spinach
250 g. of creme cheese (in case this doesn't exist in your country - get the softest white cheese - Feta will do - and a lot of butter and put the two into a blender)

1. Clean the spinach and cut it as if for salad. Cut the leek into rings and fry them until they show some sign of getting cooked. 
2. Put the cheese and get the blender ready - it would take a lot of time to get the creamy texture you are looking for.

3. If you are fan of fancy-looking food in you dish try this;

Get some shapes you use for cutting cookies and fill them with the puree - don't forget to put some foil underneath so that nothing leaks out.

Put the forms into the freezer for half an hour - AT MOST - I left them there for a day and they froze. 

Use them as decoration.

Since I had mine frozen I used flowers made from cherry tomatoes to make up for that. They are easy to make - you just start cutting the petals from the top without cutting them out fully. When you're done with the whole tomato and spread the petals - you have a wonderful flower.

Enjoy! If you do the recipe, I'll be glad to see a picture and to read your comments on it :)

петък, 2 октомври 2015 г.

When do you know you have photography under your skin?

1. When you see the place you have been to through the camera lens and subsequently through the pictures you have made and you wonder if you actually took the photos because you don't actually remember the place.
2. When you plan your next vacation according to the places you want to take pictures of and not whether you'll be able to relax there.
3. When you see someone's picture on Facebook, Instagram (you name it) you start thinking about lighting and focus instead of how they actually look.
4. When you start grumbling the moment you see someone walking towards the thing you want to take picture of or when someone takes the camera away (normally to take a picture of you).
5. When you realize that the cloth you use to clean your lenses is way cleaner than the actual cloth meant to clean your glasses. 

Image taken from www.photography-cameras.org
6. When you have nothing against going somewhere in 37 degrees Celsius at noon just to get the right light.
7. When you take 2000 pictures and you yourself appear in no more than 30 of them.
8. When rainy clouds start meaning amazing pics for you. 
9. When you get annoyed by the lame pictures you see on the postcards in the bookstore. 
10. When you start getting more tan on the beach with camera in hand than actually sunbathing.
Image taken from www.brunch.co.kr
11. When all your hand luggage limit gets filled by camera gear. 
12. When you are able to spend more than 3 hours photographing a single strawberry and less than 5 minutes talking about anything that is not photography. 
13. When you start spending more time reading and/or practicing photography than actually talking to your family/ friends.
14. When you make your loved ones visit a place twice because you couldn't take the picture you wanted the first time.
15. When you feel the urge to photograph ANYTHING (from rocks to flowers and garbage)
17. That one is for girls only :When you don't have a lipstick but you have 5 filters and a remote trigger in your purse.
18. When you don't care about the way you actually look - how sweaty, baggy or dirty you look at the moment as long as you take the shot you want. 
Image taken from www.tofurious.com
19. When you normally can't climb a two-meter ladder to change the light bulb but you willingly hang out of a rickety 50-meter metal bridge just for the sake of taking that iconic picture. 
20.  When the first thing you cover when it rains is not your head but the lens.
21. When your definition of an informative conversation includes at least 5 photo techniques and as much camera gear specs. 
22. You were so immersed in reading this that you didn't even notice that the number 16 is missing.